One of the current artists in residence in John Silvis’s Williamsburg studio is Italian ‘interventionist’ Carlo Galli. I visited with him today, and we discussed the sociopolitical implications of ‘spiagge libere;’ the subconscious ‘delimitazioni’ of materials deployed to warn, prohibit or delimit; and the potential for surface features, especially those related to authority, to obscure unexpected opposites hidden beneath... read the full article